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I am pleased and inspired by this book. I am encouraged to stretch myself in my own work.
I've been energized to try new things, and share them with my students as well. I was really excited by her latex resist techniques as well.
I have been a "potter" for 12 years, and sometimes find myself in creative ruts. This book came to me at a time I really needed to explore some new ideas.
I found this book full of great ideas and techniques. She works in slip-trailing like no one else I've seen.
There is nothing "new" in pottery. But there are new ways to present techniques and I think Maureen did this very well.
Since receiving this book as a gift, I have tried several of the decorating techniques. This book is a great addition to most potter's libraries, something I look forward to browsing for many years to come.
No how-to book showing how to execute someone else's ideas, New Hampshire Institute of Art Ceramics chair Maureen Millls' book exxposes the reader, with helpful detail, to a wide range of decorative processes. After the (too short). Options for firing and post-firing finishing are thought-provoking, as one sees the results and can identify the methods of firing. You can jump right in, and imagination is stimulated, not to copy, but to move through and past, to one's own expression. I found myself drawn in, wanting to know which tools and techniques were used, and in what sequence. Her finished pieces are fine illustrations of process.
The layout of pages is balance and attractive. While the tools employed are simple, possibilities for their use are many, as are the examples of pots and details of pots showing how the effects are achieved. If you're looking for techniques to try as you work in clay, the recently published Surface Design for Ceramics may be just your cup of tea. She and her husband, Steve Zoldak, are remarkable as educators. It's a delight to see so many New Hampshire potters represented. chapter on design, dividing the book into clay stages is useful, as it avoids the confusion of figuring out at what stage which technique is appropriate. Helpful hints abound, clear and concise, never with the pedantic verbosity that has often made me turn the page to escape an author's self-centered intrusion on process.
Mills' own pieces are augmented by photos of other artists' work, both contemporary and from historic periods. Close-up photographs show her hands at work demonstrating at every stage of making, from freshly-thrown clay, through biscuit to post-firing. Truly, we are being taught to make our own choices, and the possibilities are endless. There is plenty of explanation. Inclusion of pieces by potters in New England, both well and lesser-known, is refreshing, as it reveals her interest in and personal connection to other people's work and style. Maureen Mills' considerable experience as a teacher informs the book. There is something in this book for most potters, and discreet but crucial suggestions are what intrigue me the most, such as: "It's best to take time to visualize the finished piece before you get started."
easy to follow instructions for the techniques covered along with great pics. whether you are a new or seasoned clay addict it is a nice addition to your library.
It arrived today and I have to say I was very disappointed with it. I'm a potter. It's not a bad book but I found it uninspiring. I love Lark books and refer to them often for ideas and techniques. I was looking forward to this book and pre-ordered it several months ago. There's really nothing new in it and I've seen all of the information presented in other books in a much more dynamic way. I was hoping for more.
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